Eek.
For those of you who write, you know that point in a story where you just want to scream at it: "Why won't you just do what I tell you??"
Yeah.
There were going to be 75 chapters. Yeah, not so much.
Getting rid of Mary-Louise, finding out about Bodhi, Jensen's mom…I was totes going to be able to cover those in a single chapter each. Ha. Yeah, not so much.
I can't even begin to dissect how many scenes there are that I thought were going to go one way and, somewhere in transition, took a left at Albuquerque when they should've taken a right.
Don't get me wrong. To date, La Muse hasn't led me wrong in these unexpected detours. I think the stories that have resulted have always ended up being stronger and better than my original conceptions. As well, it's a pretty common writerly phenomenon.
That just doesn't make it any less annoying when it happens. And it doesn't make me feel any less like a maidservant trying to get her mistress into a dress that's entirely too small for her, fingers wrapped in the laces, foot planted firmly in her back and heaving for all I'm worth.
I know where I want to go. I know that. But the scenarios that have evolved have done so in a way that makes it impossible to resolve them as quickly as I first thought I'd be able to. Which means I then end up adding things, trying to course correct and bring them back around to where I think they should be (which doesn't always work) and that means I generally hit up at a point where the two ends don't meet and I'm at a loss how to bring them back together.
I just wrote myself off a cliff. I'm at a loss how to bring the ends back together.
And I'll figure it out. I always do. The boys at the brain farm are always working. But having built up so much momentum in the last couple scenes, it does feel a bit like slamming face-first into a screen door and falling on my ass (I speak from sad, pathetic experience, here). And there's always that initial panicky reaction of, Oh crap. Where do I go from here?
Me and the boys on the farm have some musing to do.
Yeah.
There were going to be 75 chapters. Yeah, not so much.
Getting rid of Mary-Louise, finding out about Bodhi, Jensen's mom…I was totes going to be able to cover those in a single chapter each. Ha. Yeah, not so much.
I can't even begin to dissect how many scenes there are that I thought were going to go one way and, somewhere in transition, took a left at Albuquerque when they should've taken a right.
Don't get me wrong. To date, La Muse hasn't led me wrong in these unexpected detours. I think the stories that have resulted have always ended up being stronger and better than my original conceptions. As well, it's a pretty common writerly phenomenon.
That just doesn't make it any less annoying when it happens. And it doesn't make me feel any less like a maidservant trying to get her mistress into a dress that's entirely too small for her, fingers wrapped in the laces, foot planted firmly in her back and heaving for all I'm worth.
I know where I want to go. I know that. But the scenarios that have evolved have done so in a way that makes it impossible to resolve them as quickly as I first thought I'd be able to. Which means I then end up adding things, trying to course correct and bring them back around to where I think they should be (which doesn't always work) and that means I generally hit up at a point where the two ends don't meet and I'm at a loss how to bring them back together.
I just wrote myself off a cliff. I'm at a loss how to bring the ends back together.
And I'll figure it out. I always do. The boys at the brain farm are always working. But having built up so much momentum in the last couple scenes, it does feel a bit like slamming face-first into a screen door and falling on my ass (I speak from sad, pathetic experience, here). And there's always that initial panicky reaction of, Oh crap. Where do I go from here?
Me and the boys on the farm have some musing to do.